{"product_id":"ambivalent-work-s-queer-perspectives-and-art-history-paperback","title":"Ambivalent Work*s: Queer Perspectives and Art History - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDaniel Berndt\u003c\/b\u003e (Editor), \u003cb\u003eSusanne Huber\u003c\/b\u003e (Editor), \u003cb\u003eChristian Liclair\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAn exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ci\u003eambivalent work*s\u003c\/i\u003e presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. \u003cp\u003e\u003c\/p\u003e Making a case for polyvalence and simultaneity, \u003ci\u003eambivalent work*s \u003c\/i\u003edemonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a \"queer art history.\" This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Köppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand. \u003cbr\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDaniel Berndt\u003c\/b\u003e is an art historian and currently teaches at the Institute of Art History, University of Zurich. He is the author of \u003ci\u003eWiederholung als Widerstand? \u003c\/i\u003e(\u003ci\u003eRepetition as Resistance?\u003c\/i\u003e). \u003cb\u003eSusanne Huber \u003c\/b\u003eworks as a researcher on the history and theory of art at the University of Bremen. She is coeditor of the book series \u003ci\u003eOyster: Feminist and Queer Approaches to Arts, Cultures, and Genders\u003c\/i\u003e and the author of \u003ci\u003eVom Konsum des Begehrens. Appropriation Art, Sex Wars und ein postmoderner Bilderstreit\u003c\/i\u003e. \u003cb\u003eChristian Liclair\u003c\/b\u003e is an art historian and critic as well as editor-in-chief of \u003ci\u003eTEXTE ZUR KUNST\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.87 x 8.82 x 5.43 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 11, 2024\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47176512864505,"sku":"9783035806991","price":81.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/Yu4OmpuiLh9783035806991.webp?v=1767683217","url":"https:\/\/bookscloud.io\/products\/ambivalent-work-s-queer-perspectives-and-art-history-paperback","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}