{"product_id":"critical-university-studies-and-performance-hardcover","title":"Critical University Studies and Performance - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eNoe Montez\u003c\/b\u003e (Editor), \u003cb\u003eAriel Nereson\u003c\/b\u003e (Editor), \u003cb\u003eShelby Brewster\u003c\/b\u003e (Contribution by)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eCritical University Studies and Performance\u003c\/i\u003e explores how we contend with issues of power, race, class, and gender in higher education, specifically as they relate to the complexities of theater and performance studies programs. In what ways might the fields of theater, performance, and dance studies, as they operate in institutions of higher education, support hegemonic logics as well as model reparative practices, given their perhaps unique disciplinary relationships to staging representation and their shared emphasis on embodiment as a practical and theoretical area of engagement? \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMontez and Nereson bring together scholars with a diverse range of career experiences and embodied positions inside of higher learning in order to deepen the field's theoretical inquiry using an ethnic studies framework. By participating in the interdisciplinary discourse of critical university studies, the volume aims to explore how to conduct ethical research that critiques the university while remaining mindful of our always contingent place within it. The contributors examine the ways the university commodifies minoritarian knowledge, tokenizes the arts, and reproduces inequality. This book offers strategic ways to build liberatory communities and revolutionary networks among students and faculty alike in order to envision futures within and beyond the academy.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eNoe Montez\u003c\/b\u003e is an associate professor of theater at Emory University. He is the author of \u003ci\u003eMemory, Transitional Justice, and Theatre in Postdictatorship Argentina\u003c\/i\u003e and co-editor of \u003ci\u003eNothing to Do with Love: and Other Plays\u003c\/i\u003e by Santiago Loza and \u003ci\u003eThe Routledge Companion to Latine Theatre and Performance\u003c\/i\u003e. He is the former editor of \u003ci\u003eTheatre Topics\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eAriel Nereson\u003c\/b\u003e is an associate professor of dance studies in the Department of Theatre and Dance at the University at Buffalo, SUNY. She is the author of the award-winning book \u003ci\u003eDemocracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past\u003c\/i\u003e. She is the editor of \u003ci\u003eTheatre Journal\u003c\/i\u003e as well as a practicing choreographer and dramaturg.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 400\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 15, 2026\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":48561421451513,"sku":"9780826500335","price":179.91,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/RZOSiITdZ9780826500335.webp?v=1782083636","url":"https:\/\/bookscloud.io\/products\/critical-university-studies-and-performance-hardcover","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}