{"product_id":"performance-aperture-221-paperback-2","title":"Performance: Aperture 221 - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAperture\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEnvisioning the intersections of photography and performance.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThis issue, a collaboration between \u003ci\u003eAperture\u003c\/i\u003e and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. \u003cp\u003e\u003c\/p\u003e In the Words section, Tate curator \u003cb\u003eSimon Baker\u003c\/b\u003e traces the impulse to perform for the camera throughout photographic history; New Museum curator \u003cb\u003eLauren Cornell\u003c\/b\u003e looks at how artists such as \u003cb\u003eK8 Hardy, Juliana Huxtable, \u003c\/b\u003e and \u003cb\u003eAmalia Ulman\u003c\/b\u003e use social media to calculated effect; Performa founder \u003cb\u003eRoseLee Goldberg\u003c\/b\u003e and MoMA curator \u003cb\u003eRoxana Marcoci\u003c\/b\u003e discuss performance, documentation, and the ways in which performances are crafted for the camera; and \u003cb\u003eKaelen Wilson-Goldie\u003c\/b\u003e explores the lecture-performance form in the work of Lebanese artists \u003cb\u003eWalid Raad, Rabih Mrou , Lina Saneh, \u003c\/b\u003e and \u003cb\u003eJoana Hadjithomas\u003c\/b\u003e and \u003cb\u003eKhalil Joreige\u003c\/b\u003e. \u003cp\u003e\u003c\/p\u003e In the Pictures section, \u003cb\u003eDelfim Sardo\u003c\/b\u003e considers the Portuguese artist \u003cb\u003eHelena Almeida's\u003c\/b\u003e Inhabited Painting(s) and other works; \u003cb\u003eBrian Sholis\u003c\/b\u003e on the disquieting appeal of \u003cb\u003eTorbj rn R dland's\u003c\/b\u003e images; \u003cb\u003eJames Welling\u003c\/b\u003e introduces his new series Dance Project; \u003cb\u003eOlu Oguibe\u003c\/b\u003e on \u003cb\u003eSamuel Fosso's\u003c\/b\u003e recent Mao Zedong series; \u003cb\u003eBrian Dillon\u003c\/b\u003e on\u003cb\u003e Dru Donovan's\u003c\/b\u003e recreations; Performa curator \u003cb\u003eAdrienne Edwards\u003c\/b\u003e on how \u003cb\u003eCarrie Mae Weems\u003c\/b\u003e animates minimalism; a look at the role of image research in the Hong Kong-based duo \u003cb\u003eZheng Mahler's\u003c\/b\u003e Performa 15 debut performance; and \u003cb\u003eKristin Poor\u003c\/b\u003e explores two approaches to photographing dance, by looking at \u003cb\u003eBarbara Morgan's\u003c\/b\u003e enduring images of \u003cb\u003eMartha Graham\u003c\/b\u003e, and \u003cb\u003eBabette Mangolte's \u003c\/b\u003ephotographs of Trisha Brown's dance performances.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 128\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.5 x 12 x 9.2 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 24, 2015\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47349315698937,"sku":"9781597113243","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/WEluYXowOHZxNWpUWVpaQnRzQXl4dz09_53b41e38-2460-4f30-944b-57b0d81388af.webp?v=1769779156","url":"https:\/\/bookscloud.io\/products\/performance-aperture-221-paperback-2","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}