{"product_id":"picasso-ingres-face-to-face-paperback","title":"Picasso Ingres: Face to Face - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eChristopher Riopelle\u003c\/b\u003e (Author), \u003cb\u003eEmily Talbot\u003c\/b\u003e (Author), \u003cb\u003eSusan L. Siegfried\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAn exploration of the fascinating parallels and differences between Picasso's \u003ci\u003eWoman with a Book\u003c\/i\u003e and Ingres's \u003ci\u003eMadame Moitessier\u003c\/i\u003e\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e This publication examines, in detail, two extraordinary interrelated works: Picasso's \u003ci\u003eWoman with a Book\u003c\/i\u003e (1932) and Ingres's \u003ci\u003eMadame Moitessier\u003c\/i\u003e (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's \u003ci\u003eMadame Moitessier\u003c\/i\u003e, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's \u003ci\u003eWoman with a Book\u003c\/i\u003e, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with \u003ci\u003eMadame Moitessier\u003c\/i\u003e, which motivates and animates \u003ci\u003eWoman with a Book\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003ePublished by National Gallery Company\/Distributed by Yale University Press \u003cbr\u003e\u003cp\u003e \u003cbr\u003e\u003cstrong\u003eExhibition Schedule: \u003c\/strong\u003e\u003c\/p\u003e\u003cb\u003eThe National Gallery, London\u003c\/b\u003e\u003cbr\u003e June 3-October 9, 2022 \u003cp\u003e\u003c\/p\u003e\u003cb\u003eNorton Simon Museum\u003c\/b\u003e\u003cbr\u003e October 21, 2022-January 30, 2023\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eChristopher Riopelle\u003c\/b\u003e is the Neil Westreich Curator of Post 1800 Paintings at the National Gallery, London.\u003cb\u003e Susan L. Siegfried\u003c\/b\u003e is Denise Riley Collegiate Professor Emerita of the History of Art and Women's Studies, University of Michigan. \u003cb\u003eEmily Talbot \u003c\/b\u003eis chief curator at the Norton Simon Museum, Pasadena, California. \u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 72\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.39 x 10.55 x 8.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 27, 2022\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47175245660409,"sku":"9781857096828","price":30.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/Y0l4Q01ZRXpFYUxhOXVQaGFZUVNSUT09.webp?v=1767665544","url":"https:\/\/bookscloud.io\/products\/picasso-ingres-face-to-face-paperback","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}