{"product_id":"radical-aesthetic-paperback","title":"Radical Aesthetic - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eIsobel Armstrong\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThis ground-breaking new work offers a spirited and severe critique of the turn to an anti-aesthetic in theoretical writing and asserts that it has now become an intellectual necessity to rethink the aesthetic and remake aesthetic discourse.\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003eThis ground-breaking new work offers a spirited and severe critique of the turn to an anti-aesthetic in theoretical writing and asserts that it has now become an intellectual necessity to rethink the aesthetic and remake aesthetic discourse. \u003cbr\u003e \u003c\/p\u003e\u003cp\u003eOver the past two decades, the most influential cultural and literary theorists appear to have agreed that the category of the aesthetic, as founded in the thought of Kant and Hegel, is up for deconstruction. Marxists, cultural materialists, poststructuralists and deconstructive psychoanalysts have converged in a mission of cultural eugenics. These theorists have, however, failed to address the democratic and radical potential of aesthetic discourse. Matters concerning the politics of beauty and the functions of affect and the emotions in contemporary culture have been left to the reactionaries, often with disastrous consequences, as evidenced in the narrow instrumentalism of current educational policies.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eIn stark opposition to this anti-aesthetic project, Isobel Armstrong evolves a new poetics, forging an alternative aesthetic discourse by remaking its theoretical base, ousting Narcissus in favor of Echo. She discusses a wide range of theorists and philosophers, including Adorno, Bourdieu, Dewey, Eagleton, Freud, Hegel, Kant, Kristeva, Rose, Vygotsky, and Winnicott, and uses specific literary and other artistic examples, from Blake and Wordsworth to Antony Gormley and Clint Eastwood, to illustrate her arguments.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eThis ground-breaking new work offers a spirited and severe critique of the turn to an anti-aesthetic in theoretical writing and asserts that it has now become an intellectual necessity to rethink the aesthetic and remake aesthetic discourse. \u003cbr\u003e \u003c\/p\u003e\u003cp\u003eOver the past two decades, the most influential cultural and literary theorists appear to have agreed that the category of the aesthetic, as founded in the thought of Kant and Hegel, is up for deconstruction. Marxists, cultural materialists, poststructuralists and deconstructive psychoanalysts have converged in a \"mission of cultural eugenics\". These theorists have, however, failed to address the democratic and radical potential of aesthetic discourse. Matters concerning the politics of beauty and the functions of affect and the emotions in contemporary culture have been left to the reactionaries, often with disastrous consequences, as evidenced in the narrow instrumentalism of current educational policies.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eIn stark opposition to this anti-aesthetic project, Isobel Armstrong evolves a new poetics, forging an alternative aesthetic discourse by remaking its theoretical base, ousting Narcissus in favor of Echo. She discusses a wide range of theorists and philosophers, including Adorno, Bourdieu, Dewey, Eagleton, Freud, Hegel, Kant, Kristeva, Rose, Vygotsky, and Winnicott, and uses specific literary and other artistic examples, from Blake and Wordsworth to Antony Gormley and Clint Eastwood, to illustrate her arguments.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eIsobel Armstrong\u003c\/b\u003e is professor of English at Birkbeck College, University of London. She has published widely on Shakespeare, Romanticism, Victorianism, nineteenth-century poetry, poetics, politics, theories of language and contemporary literary theory. She is co-editor of \u003ci\u003eWomen: A Cultural Review.\u003c\/i\u003e Her most recent books include \u003ci\u003eVictorian Poetry: Poetry, Poetics and Politics \u003c\/i\u003e (1993) and the \u003ci\u003eOxford Anthology of Nineteenth-Century Women Poets\u003c\/i\u003e (1996), edited with Joe Bristow.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 288\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.88 x 9.02 x 6.02 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 19, 2000\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47335070335225,"sku":"9780631220534","price":89.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/QUZ0OW9XWmtZRjIvNVF4UUw2bk14dz09.webp?v=1769653622","url":"https:\/\/bookscloud.io\/products\/radical-aesthetic-paperback","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}