{"product_id":"sculpting-quito-religious-art-across-domestic-spaces-hardcover","title":"Sculpting Quito: Religious Art Across Domestic Spaces - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eLeslie E. Todd\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA study of domestic religious sculptures in Quito.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e During the eighteenth century, the colonial capital of Quito established itself as a prolific producer of wooden polychrome sculpture. With large glass eyes, smooth shiny surfaces, and minute attention to detail, the sculptures possessed an artistic refinement that enchanted contemporaries. While these objects depicted Christian sacred personages, they were not always sequestered in churches and shrines. They filled domestic spaces, becoming signifiers not only of holiness but also of a distinctive Quitenian culture. \u003c\/p\u003e\u003cp\u003e Devotional sculpture was, on its face, an aesthetic reifiction of the colonial project, commissioned by creole elites. However, drawing on published accounts and archival evidence, including wills and dowries, Leslie Todd shows that sculpture was diffused across society, contributing to a complex localized identity. As makers, viewers, and owners of sculpture, Quiteños of Indigenous and mixed heritage and varying socioeconomic backgrounds took active roles in creating the city's visual culture. In doing so, Todd argues, they simultaneously underscored and challenged colonial class and power systems, investing a European form with styles that revealed and reinforced specifically Spanish American subjectivity. \u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e Leslie E. Todd is an assistant professor of art history at the University of the South in Sewanee, Tennessee. \u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.11 x 10.09 x 7.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 09, 2026\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":48629200322809,"sku":"9781477333686","price":85.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/iYyECYu4eN9781477333686.webp?v=1783059783","url":"https:\/\/bookscloud.io\/products\/sculpting-quito-religious-art-across-domestic-spaces-hardcover","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}