{"product_id":"transcultural-cinema-paperback","title":"Transcultural Cinema - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDavid MacDougall\u003c\/b\u003e (Author), \u003cb\u003eLucien Taylor\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDavid MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include \u003ci\u003eThe Wedding Camels\u003c\/i\u003e, \u003ci\u003eLorang's Way\u003c\/i\u003e, \u003ci\u003eTo Live with Herds\u003c\/i\u003e, \u003ci\u003eA Wife among Wives\u003c\/i\u003e, \u003ci\u003eTakeover\u003c\/i\u003e, \u003ci\u003ePhoto\u003c\/i\u003e\u003ci\u003eWallahs\u003c\/i\u003e, and \u003ci\u003eTempus de Baristas\u003c\/i\u003e. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDavid MacDougall\u003c\/b\u003e is Queen Elizabeth II Fellow and Convenor, Program in Visual Research, Centre for Cross-Cultural Research at the Australian National University, Canberra. Lucien Taylor is the author, with Ilisa Barbash, of \u003ci\u003eCross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos\u003c\/i\u003e (California). Formerly, he was the editor of the journal \u003ci\u003eVisual Anthropology Review\u003c\/i\u003e, published by the American Anthropological Association.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 328\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.81 x 9.26 x 6.18 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 27, 1998\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47343359852793,"sku":"9780691012346","price":90.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0789\/2782\/3097\/files\/YTlYVFVROThOOElKZnNvcHpRYXRjdz09.webp?v=1769719486","url":"https:\/\/bookscloud.io\/products\/transcultural-cinema-paperback","provider":"BooksCloud Book Dropshipping","version":"1.0","type":"link"}